A friend commissioned a painting--by me--a while back. My first commission! And the idea of that has pretty much stopped me in my tracks. I mean, what if it's no good at all?
And here's how it's going: Every time I show it to someone, they have all these wonderful SUGGESTIONS for making it
better. If I don't continue to work on it, though, that accomplishes two things: 1) it shuts them up good, and 2) it stops me from actually doing this.
I've started, then erased/wiped off the paint three times. That's ok....I've done that before on other paintings. But it certainly slows down the process. I've pondered using encaustic (hot wax and color),
but that's scary--comes with the potential for burning down my condo.
And it's not advice, per se. My most recent painting instructor used to love to walk up to a painting while I was working on it, pick up a brush, and daub away, always to good effect. (I've thought of calling her to see if she wants to give me a coaching session or two, but she, one of the best deaf painters ever, is
fed up with painting. She wants to write, and she's also avoiding exposure to all the toxic chemicals involved lest she contract another case of cancer. (She cured herself of the cancer by eliminating everything from her diet that could bollix her health: no cooking, no carbs, no sugar. She could be my role model, if I were a person who could profit from good example.)
Anyway, here's the picture (a photograph taken by my
benefactor in Ecuador). I love it, but I've discovered there's no natural light save for what's reflected in a few tiles in the corner and in the planters. And it intrigues me that this darkness is her favorite aspect of the photo, especially
under the arches. Fascinating. I especially love the two red chairs, and I'm wondering if this relates to the fact that she married her best friend, another woman. And so on.....
Wish me luck.